{"id":6,"date":"2007-07-31T19:02:12","date_gmt":"2007-07-31T17:02:12","guid":{"rendered":"http:\/\/www.dance-fields.de\/?page_id=6"},"modified":"2011-10-27T22:14:58","modified_gmt":"2011-10-27T20:14:58","slug":"vita","status":"publish","type":"page","link":"https:\/\/www.dance-fields.de\/en\/vita\/","title":{"rendered":"Vita"},"content":{"rendered":"<p><strong>Gabriele Koch<\/strong> born 1970, dancer, choreographer, movement-paedaguoge,<\/p>\n<p><strong>seit 1995<br \/>\nwork as free-lanced dancer and choreographer <\/strong>(selection)<\/p>\n<p><strong>2010<\/strong><br \/>\nChoreografie+Tanz: HELDEN; Zeitgen\u00f6ssisches Tanztheater \u00fcber das Gel\u00e4nde des LWL-Industriemuseums Henrichsh\u00fctte Hattingen; u.a. gef\u00f6rdert vom Landesb\u00fcro Freie Kultur, dem Ministerpr\u00e4sident NRW<\/p>\n<p><strong>2009<\/strong><br \/>\nChoreografie gemeinsam mit Judith Latta f\u00fcr Sommertanz Junge Talente in Wuppertal; www.sommertanz.de<\/p>\n<p><strong>2008<\/strong><br \/>\nChoreografie+Tanz: PETER PUNK; Aireal &#8211; Dance &#8211; Performance, LWL-Industriemuseum Henrichsh\u00fctte Hattingen; u.a. gef\u00f6rdert vom Landesb\u00fcro Freie Kultur, dem Ministerpr\u00e4sident NRW<\/p>\n<p><strong>2008<\/strong><br \/>\nAFTERNOON SHINING; a duett with choreographed and danced by Sebastian Garcia Ferro(Es\/Arg) + Gabriele Koch performed in Essen\/Katakomeben and Dortmund Theater im Depot<\/p>\n<p><strong>2007<\/strong><br \/>\nChoreografie+Tanz: PLANET HOPE, Aireal &#8211; Dance &#8211; Performance, LWL-Industriemuseum Henrichsh\u00fctte Hattingen u.a. gef\u00f6rdert vom Landesb\u00fcro Freie Kultur, dem Ministerpr\u00e4sident NRW, Kunststiftung NRW<\/p>\n<p><strong>2006<\/strong><br \/>\n&#8220;Kleine Alltagsgeschichten &#8211; kopf\u00fcber&#8221;, Aireal &#8211; Dance &#8211; Performance, TUFA, Trier auf Einladung des Kulturzentrums Tuchfabrik Trier<\/p>\n<p><strong>2006<\/strong><br \/>\nZahlreiche improvisierte Tanzperformances auf Festivals in Moskau, Spanien, Italien, etc.<\/p>\n<p><strong>2005<\/strong><br \/>\n&#8220;Radionights&#8221;, Solo, Choreorafie+Tanz, Radius100 Festival, Dortmund, Theater im Depot<\/p>\n<p><strong>2005<\/strong><br \/>\n&#8220;Hinterlassenschaften&#8221;, Off-Limits Festival, Kokerei Hansa, Regie Rolf Dennemann<\/p>\n<p><strong>2005<\/strong><br \/>\n&#8220;Two Go Crazy<strong>&#8220;, <\/strong>duett choreographed and danced by Gabriele Koch und Christoph Sch\u00fctz, Theater der Gezeiten, Bochum<\/p>\n<p><strong>2004<br \/>\n<\/strong>&#8220;Me Your Present&#8221;, Solo choreographed and danced by Gabriele Koch, invitation for artist in residence K77- Studio, Berlin<\/p>\n<p><strong>2004<\/strong><br \/>\n&#8220;Findlinge &#8211; Dar A Luz&#8221;, Ensemble Kultopia; Choreorafie Uta P\u00fcttmann at\u00a0 Theaterzwang-festival 2004,<strong> www.dar-a-luz.de<\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p><strong>2003<\/strong><br \/>\nChoreografie + Tanz: MOTIVE for SOMEBODYELSE DANCECOMPANY, a &#8220;site-specific-performance&#8221; a coal-miners seddling, Dahlhauser Heide, Bochum Hordel, regie and choreographie by Gabriele Koch,<strong> www.vororten.de; <\/strong>u.a. gef\u00f6rdert vom Landesb\u00fcro Freie Kultur, dem Ministerpr\u00e4sident NRW, Kunststiftung NRW<\/p>\n<p><strong> <\/strong><\/p>\n<p><strong>2002<\/strong><br \/>\n&#8220;Dreiviertel Mehr&#8221;, Solo choreographed and danced by Gabriele Koch, Theater der Gezeiten, Bochum<\/p>\n<p><strong> <\/strong><\/p>\n<p><strong>2002<\/strong><br \/>\n&#8220;In Fall&#8221;, by SOMEBODYELSE DANCECOMPANY, Brotfabrik Bonn, Theater der Gezeiten, Bochum, www.somebodyelse.de<\/p>\n<p><strong>2001<\/strong><br \/>\nregie and choreographie for UNDERGROUND, dancefestival at Pfefferberg, Berlin by SOMEBODYELSE DANCECOMPANY, www.somebodyelse.de<\/p>\n<p><strong>2000 &#8211; 2002<\/strong><br \/>\n&#8220;ZOOM 1-3&#8221;- Performanceserie in the Berlin Underground mit der SOMEBODYELSE DANCECOMPANY, www.somebodyelse.de<\/p>\n<p><strong>2000<\/strong><br \/>\nfounding-member of SOMEBODYELSE DANCECOMPANY<\/p>\n<p><strong>1999 &#8211; 2000<\/strong><br \/>\n&#8220;Zeitverwehungen&#8221; and &#8220;Displaced &#8211; Erinnerungsfelder&#8221;, tatraum-theater, D\u00fcsseldorf, Regie: Michael Schmidt<\/p>\n<p><strong>1996-2000<\/strong><br \/>\nregularly productions of FORUM INTERART, Dortmund<\/p>\n<p><strong> <\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p><strong> since 1997<br \/>\nteaching of contemporary dance, improvisation, contactimprovisation<\/strong><\/p>\n<p>by example:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Contemporary Dance+Contact: Folkwangschool Essen\/actors since 2007 regularly 2 periods a year<\/p>\n<p>Contact Improvisation: 2006-2008 Tanzhaus NRW D\u00fcsseldorf,<\/p>\n<p>Constantin Musical School Bochum: Dance Technic, Improvisation<\/p>\n<p>Wuppertal, Berlin, Hamburg, Cologne,<\/p>\n<p><strong>2007 <\/strong><br \/>\nContactfestival Barcelona, Osterimprofestival G\u00f6ttingen<\/p>\n<p><strong>2006<\/strong><br \/>\nLunaticontact Amelia\/Italy,\u00a0 ZIP-Festival Orvieto\/Italy, int. Contactfestival Barcelona\/Spain, International Contactfestival Moskow\/Russia, International Dance Festival; Kalisz\/Poland<\/p>\n<p><strong>2005<\/strong><br \/>\nInternational Contactfestival Budapest, International Easterimprofestival; G\u00f6ttingen, Germany<\/p>\n<p><strong>2004<\/strong><br \/>\nInternational Contactimprovisations Festival Freiburg, Germany<\/p>\n<p><strong>2002<\/strong><br \/>\nInternational Improfestival, Israel<\/p>\n<p><strong> <\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p><strong> Studies<\/strong><\/p>\n<p><strong>1995<\/strong><br \/>\nLaban Centre-Summerschool, London<\/p>\n<p><strong>1992-98<\/strong><br \/>\nContemporary Dance, Improvisation und Contactimprovisation by example: Frey Faust, Kurt K\u00f6gel, Andrew Harwood, Karl Frost and many more<\/p>\n<p><strong>1992-95<\/strong><br \/>\ndiploma as a movement-paedaguoge (3 year studies)<\/p>\n<p><strong>1986-89<\/strong><br \/>\nintensiv studies in classical ballett, preschool, Ballettverein Bochum<\/p>\n<p><strong>1978-84<\/strong><br \/>\ngymnastics<\/p>\n<p>since <strong>1975<\/strong><br \/>\nclassical ballett<\/p>\n<p><strong> <\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<a href=\"http:\/\/www.facebook.com\/share.php?u=https%3A%2F%2Fwww.dance-fields.de%2Fen%2Fvita%2F&amp;t=%3C%21--%3Ade--%3ELebenslauf%3C%21--%3A--%3E%3C%21--%3Aen--%3EVita%3C%21--%3A--%3E\" id=\"facebook_share_both_6\" style=\"font-size:11px; 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Zeitgen\u00f6ssisches Tanztheater \u00fcber das Gel\u00e4nde des LWL-Industriemuseums Henrichsh\u00fctte Hattingen; u.a. gef\u00f6rdert vom Landesb\u00fcro Freie Kultur, dem Ministerpr\u00e4sident NRW 2009 Choreografie gemeinsam &hellip; <a href=\"https:\/\/www.dance-fields.de\/en\/vita\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n<a href=\"http:\/\/www.facebook.com\/share.php?u=https%3A%2F%2Fwww.dance-fields.de%2Fen%2Fvita%2F&amp;t=%3C%21--%3Ade--%3ELebenslauf%3C%21--%3A--%3E%3C%21--%3Aen--%3EVita%3C%21--%3A--%3E\" id=\"facebook_share_both_6\" style=\"font-size:11px; line-height:13px; font-family:'lucida grande',tahoma,verdana,arial,sans-serif; text-decoration:none; padding:2px 0 0 20px; height:16px; background:url(http:\/\/b.static.ak.fbcdn.net\/images\/share\/facebook_share_icon.gif) no-repeat top left;\">Share on Facebook<\/a>\r\n\t<script type=\"text\/javascript\">\r\n\t<!--\r\n\tvar button = document.getElementById('facebook_share_link_6') || document.getElementById('facebook_share_icon_6') || document.getElementById('facebook_share_both_6') || document.getElementById('facebook_share_button_6');\r\n\tif (button) {\r\n\t\tbutton.onclick = function(e) {\r\n\t\t\tvar url = this.href.replace(\/share\\.php\/, 'sharer.php');\r\n\t\t\twindow.open(url,'sharer','toolbar=0,status=0,width=626,height=436');\r\n\t\t\treturn false;\r\n\t\t}\r\n\t\r\n\t\tif (button.id === 'facebook_share_button_6') {\r\n\t\t\tbutton.onmouseover = function(){\r\n\t\t\t\tthis.style.color='#fff';\r\n\t\t\t\tthis.style.borderColor = '#295582';\r\n\t\t\t\tthis.style.backgroundColor = '#3b5998';\r\n\t\t\t}\r\n\t\t\tbutton.onmouseout = function(){\r\n\t\t\t\tthis.style.color = '#3b5998';\r\n\t\t\t\tthis.style.borderColor = '#d8dfea';\r\n\t\t\t\tthis.style.backgroundColor = '#fff';\r\n\t\t\t}\r\n\t\t}\r\n\t}\r\n\t-->\r\n\t<\/script>\r\n\t","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":35,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.dance-fields.de\/en\/wp-json\/wp\/v2\/pages\/6"}],"collection":[{"href":"https:\/\/www.dance-fields.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.dance-fields.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.dance-fields.de\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.dance-fields.de\/en\/wp-json\/wp\/v2\/comments?post=6"}],"version-history":[{"count":2,"href":"https:\/\/www.dance-fields.de\/en\/wp-json\/wp\/v2\/pages\/6\/revisions"}],"predecessor-version":[{"id":392,"href":"https:\/\/www.dance-fields.de\/en\/wp-json\/wp\/v2\/pages\/6\/revisions\/392"}],"wp:attachment":[{"href":"https:\/\/www.dance-fields.de\/en\/wp-json\/wp\/v2\/media?parent=6"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}